| Search on : 'G.' . 114 entries found in GANDSMUSICSCORES |
| CATNUM |
Composer |
Title |
Description |
Comment |
PICTURE |
Price |
Category |
Type |
| ALB1576 |
|
ALBUM OF 27 SONGS brown rexine cover with `SONGS' in gilt on spine and `E.S.M.' monogram on cover : |
CONTENTS:
1. THE LOST CHORD No.3 in A flat. Words by Adelaide Proctor. Music by Arthur Sullivan (1877)
2. LET ME DREAM AGAIN No.2 in D. Words by B.C. Stephenson. Music by Arthur Sullivan (1875)
3. LITTLE MAID OF ARCADEE. Words by W.S.Gilbert. Music by Arthur Sullivan (from THESPIS) (1872) rare
4. THE DISTANT SHORE. Words by W.S.Gilbert. Music by Arthur Sullivan (1874)
5. THE VILLAGE CHIMES. Written by C.J.Rowe. Music by Arthur S. Sullivan (1870) rare
6. THE CHILDREN'S HOME. Words by Fred. E. Weatherly. Music by Frederic H. Cowen
7. IT WAS A DREAM. Words by R.E. Francillon. Music by Frederic H. Cowen
8. ROBIN REDBREAST. Words by William Allingham. Music by Claribel
9. WHO'S THAT TAPPING. Written by J.Loker. Music by S.W.New (small b&w cameo of cottage)
10.A DAISY SONG. Words by S.H. Gatty. Music by A.Scott Gatty
11. NO SIR! by A.M.Wakefield
12. THE BRIDGE. Written by H.W. Longfellow. Music by Miss M. Lindsay ( ILLUSTRATED COLOURED MUSIC COVER)
13. MISERERE DOMINE. Poetry by Adelaide Proctor. Music by John Blockley (b&w ILLUSTRATED MUSIC COVER of ship during and after storm)
14. THE BAILIFF'S DAUGHTER OF ISLINGTON. Music by John Blockley (b&w ILLUSTRATED MUSIC COVER)
15. WHEN THE SHIP COMES HOME. Music by Mrs. J.Worthington Bliss
16. LOVE'S GOLDEN DREAM. Music by Lindsay Lennox
17. GATES OF THE WEST. Words by A.L. Music by Caroline Lowthian (stamped 19 Sept. 1883)
18. MARJORIE'S ALMANACK. Words by J.B. Aldrich. Music by Charlotte H. Sainton Dolby (stamped 30 April 1872)
19. UNCLE JOHN by F.E.Weatherly
20. TURNHAM TOLL. Words by F.E.Weatherly. Music by Milton Welling
21. A PENNY FOR YOUR THOUGHTS. Words by T. Malcolm Watson. Music by Cecile S. Hartog
22. THE WORLD AND HIS WIFE. Words by F.E.Weatherly. Music by Joseph L. Roeckel
23. WHY ARE YOU WANDERING by I.Nathan
24. Cunningham Boosey's UNIVERSAL Music Standard SCOTCH SONGS ed. Fpx and Clarke : Within a Mile of Edinburgh Town
25. CHE FARO SENZA EURIDICE ?Recit. & Air from Gluck's ORFEO
26. DON PASQUALE by Donizetti SERENATA
27. CAVATINA from IL TANCREDI by Rossini |
Condition : Good |
|
£90.00 |
GANDS |
ALBUM |
| ALB1577 |
|
AN ALBUM OF 12 SONGS |
AN ALBUM OF 12 SONGS bound in leather with SONGS in gilt on cover : KING HENRY'S SONG (Youth will needs have dalliance) in E-flat major pp7. Words by HENRY VIII. Music by Arthur Sullivan/ THE PROMISE OF LIFE. Words by Clifton Bingham. Music by Frederic H. Cowen/ SLEEP MY LOVE, SLEEP (1874) No. 1 in D flat pp7. Song. The Words by G. Whyte Melville. The Music composed expressly for Madame Patey. Boosey & Co.by Arthur Sullivan
THE CARNIVAL Words & Music by J.L.Molloy/ HOME, DEARIE, HOME. Words by F.E.Weatherly. Music by J.L.Molloy/ THE STARS OF NORMANDIE. Words by F.E.Weatherly. Music by Stephen Adams/ A IVY SONG. Written by Sarah Doudney. Music by Allan Macbeth/ VINETA. Words from the Schleswig-Holstein poetry. Music by Henry Smart/ HUSH ME, O SORROW!. Words by Madame Darmesteter. Music by Lord Henry Somerset/ THE BIRDS GO NORTH AGAIN. Words by Ella Higginson. Music by Charles Willeby (1902)/ GOLDEN LOVE. Words by Mary Mark-Lemon. Music by Milton Wellings/ QUEEN OF THE EARTH (Man's Guardian Angel). The poetry by H.L. D'arcy Jaxone. Music by Ciro Pinsuti. |
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|
£30.00 |
GANDS |
ALBUM |
| SSH5 |
|
BARCAROLE. Descriptive Song |
BARCAROLE. Descriptive Song. The Words by Edgar Berry. Composed by M.F.RONALDS (i.e. Mrs Ronalds). Modern facsimile printing of the original Joseph Williams printed music pp7 |
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|
£8.00 |
GANDS |
SINGLESHEET |
| SONG23 |
|
HUMOROUS SONGS OLD & NEW |
edited by J.L .Hatton. Boosey (c.1892) pp194 : royal blue cloth with gilt lettering on spine and decorative front board a.e.g. Includes From Rock to Rock (Contrabandista) ; Lullaby(a) & Rataplan (Cox and Box) (F.C.Burnand and Arthur Sullivan) |
|
|
£20.00 |
GANDS |
SONGSHEET |
| ORCH29e |
|
LOVE CHILD A New Musical by Freda Kelsall and Christopher Irvin. The Amber Ring (2005) : |
The story tells of families living in a textile town, the mill-owning Cloughs, and the staunch chapel-going Holroyds, an unmarried mother, the hand-to-mouth Wilkies, and the relationship of sons and daughters whose destinies are influenced by the traumas of World War I.
It has fun, pathos and romance, and needs plenty of energy!
The original songs illustrate a journey from Music Hall style to the Charleston era, with at least fifteen roles for solo performers, (some can be doubled;) and a range of scenes to engage the full ensemble.
The show can involve 30 - 50 singers, actors, and dancers, accompanied by a pianist and a small orchestra. It can be simply staged, in an open area with set elements positioned by the cast as part of the action, combined with the creative use of sound, lighting, stylised costume, and minimal props; or there are opportunities for more complex and costly productions. In certain circumstances, permission may be granted to adapt the work to suit the needs of particular groups.
Love Child was commissioned in 2003 for final-year Performing Arts students at Huddersfield Technical College in West Yorkshire, England, and first produced at the Highfields Theatre in April 2004.
"A new show to delight audiences for years to come"
HIRE CHARGES ON REQUEST
LOVE CHILD was commissioned by Huddersfield Technical College in 2003 as a full-length musical for Performing Arts students, accompanied by six musicians. A large cast carried the story of three families in a northern textile town through the changes occasioned by World War I, their songs reflecting the loves and joys of youth being battered and matured by suffering. This overture for full orchestra develops some of these themes. First performance Saturday 15 November, 2008 The Boots Orchestra, Nottingham |
(e) Hardback Full Score with gilt lettering on spine/front board pp280 |
|
(e)£85.00 |
GANDS |
orchestral |
| ORCH29a |
|
LOVE CHILD A New Musical by Freda Kelsall and Christopher Irvin. The Amber Ring (2005) : |
The story tells of families living in a textile town, the mill-owning Cloughs, and the staunch chapel-going Holroyds, an unmarried mother, the hand-to-mouth Wilkies, and the relationship of sons and daughters whose destinies are influenced by the traumas of World War I.
It has fun, pathos and romance, and needs plenty of energy!
The original songs illustrate a journey from Music Hall style to the Charleston era, with at least fifteen roles for solo performers, (some can be doubled;) and a range of scenes to engage the full ensemble.
The show can involve 30 - 50 singers, actors, and dancers, accompanied by a pianist and a small orchestra. It can be simply staged, in an open area with set elements positioned by the cast as part of the action, combined with the creative use of sound, lighting, stylised costume, and minimal props; or there are opportunities for more complex and costly productions. In certain circumstances, permission may be granted to adapt the work to suit the needs of particular groups.
Love Child was commissioned in 2003 for final-year Performing Arts students at Huddersfield Technical College in West Yorkshire, England, and first produced at the Highfields Theatre in April 2004.
"A new show to delight audiences for years to come"
HIRE CHARGES ON REQUEST
LOVE CHILD was commissioned by Huddersfield Technical College in 2003 as a full-length musical for Performing Arts students, accompanied by six musicians. A large cast carried the story of three families in a northern textile town through the changes occasioned by World War I, their songs reflecting the loves and joys of youth being battered and matured by suffering. This overture for full orchestra develops some of these themes. First performance Saturday 15 November, 2008 The Boots Orchestra, Nottingham |
(a) Softback Vocal Score pp226 |
|
(a)£30.00 |
GANDS |
orchestral |
| ORCH29h |
|
LOVE CHILD A New Musical by Freda Kelsall and Christopher Irvin. The Amber Ring (2005) : |
The story tells of families living in a textile town, the mill-owning Cloughs, and the staunch chapel-going Holroyds, an unmarried mother, the hand-to-mouth Wilkies, and the relationship of sons and daughters whose destinies are influenced by the traumas of World War I.
It has fun, pathos and romance, and needs plenty of energy!
The original songs illustrate a journey from Music Hall style to the Charleston era, with at least fifteen roles for solo performers, (some can be doubled;) and a range of scenes to engage the full ensemble.
The show can involve 30 - 50 singers, actors, and dancers, accompanied by a pianist and a small orchestra. It can be simply staged, in an open area with set elements positioned by the cast as part of the action, combined with the creative use of sound, lighting, stylised costume, and minimal props; or there are opportunities for more complex and costly productions. In certain circumstances, permission may be granted to adapt the work to suit the needs of particular groups.
Love Child was commissioned in 2003 for final-year Performing Arts students at Huddersfield Technical College in West Yorkshire, England, and first produced at the Highfields Theatre in April 2004.
"A new show to delight audiences for years to come"
HIRE CHARGES ON REQUEST
LOVE CHILD was commissioned by Huddersfield Technical College in 2003 as a full-length musical for Performing Arts students, accompanied by six musicians. A large cast carried the story of three families in a northern textile town through the changes occasioned by World War I, their songs reflecting the loves and joys of youth being battered and matured by suffering. This overture for full orchestra develops some of these themes. First performance Saturday 15 November, 2008 The Boots Orchestra, Nottingham |
(h) THEY WILL BE REMEMBERED Song from the musical Love Child. Four-Part Chorus. Amber Press (coloured cover) (2005) ISMN: M-708031-28-4 pp7 |
|
(h)£5.00 |
GANDS |
orchestral |
| ORCH29c |
|
LOVE CHILD A New Musical by Freda Kelsall and Christopher Irvin. The Amber Ring (2005) : |
The story tells of families living in a textile town, the mill-owning Cloughs, and the staunch chapel-going Holroyds, an unmarried mother, the hand-to-mouth Wilkies, and the relationship of sons and daughters whose destinies are influenced by the traumas of World War I.
It has fun, pathos and romance, and needs plenty of energy!
The original songs illustrate a journey from Music Hall style to the Charleston era, with at least fifteen roles for solo performers, (some can be doubled;) and a range of scenes to engage the full ensemble.
The show can involve 30 - 50 singers, actors, and dancers, accompanied by a pianist and a small orchestra. It can be simply staged, in an open area with set elements positioned by the cast as part of the action, combined with the creative use of sound, lighting, stylised costume, and minimal props; or there are opportunities for more complex and costly productions. In certain circumstances, permission may be granted to adapt the work to suit the needs of particular groups.
Love Child was commissioned in 2003 for final-year Performing Arts students at Huddersfield Technical College in West Yorkshire, England, and first produced at the Highfields Theatre in April 2004.
"A new show to delight audiences for years to come"
HIRE CHARGES ON REQUEST
LOVE CHILD was commissioned by Huddersfield Technical College in 2003 as a full-length musical for Performing Arts students, accompanied by six musicians. A large cast carried the story of three families in a northern textile town through the changes occasioned by World War I, their songs reflecting the loves and joys of youth being battered and matured by suffering. This overture for full orchestra develops some of these themes. First performance Saturday 15 November, 2008 The Boots Orchestra, Nottingham |
(c) Libretto pp60 (A4 spiral-bound double-sided booklet). Bridge Cultural Services Ltd. (2004) |
|
(c)£6.50 |
GANDS |
orchestral |
| ORCH29d |
|
LOVE CHILD A New Musical by Freda Kelsall and Christopher Irvin. The Amber Ring (2005) : |
The story tells of families living in a textile town, the mill-owning Cloughs, and the staunch chapel-going Holroyds, an unmarried mother, the hand-to-mouth Wilkies, and the relationship of sons and daughters whose destinies are influenced by the traumas of World War I.
It has fun, pathos and romance, and needs plenty of energy!
The original songs illustrate a journey from Music Hall style to the Charleston era, with at least fifteen roles for solo performers, (some can be doubled;) and a range of scenes to engage the full ensemble.
The show can involve 30 - 50 singers, actors, and dancers, accompanied by a pianist and a small orchestra. It can be simply staged, in an open area with set elements positioned by the cast as part of the action, combined with the creative use of sound, lighting, stylised costume, and minimal props; or there are opportunities for more complex and costly productions. In certain circumstances, permission may be granted to adapt the work to suit the needs of particular groups.
Love Child was commissioned in 2003 for final-year Performing Arts students at Huddersfield Technical College in West Yorkshire, England, and first produced at the Highfields Theatre in April 2004.
"A new show to delight audiences for years to come"
HIRE CHARGES ON REQUEST
LOVE CHILD was commissioned by Huddersfield Technical College in 2003 as a full-length musical for Performing Arts students, accompanied by six musicians. A large cast carried the story of three families in a northern textile town through the changes occasioned by World War I, their songs reflecting the loves and joys of youth being battered and matured by suffering. This overture for full orchestra develops some of these themes. First performance Saturday 15 November, 2008 The Boots Orchestra, Nottingham |
(d) Softback Full Score pp280 |
|
(d)£65.00 |
GANDS |
orchestral |
| ORCH29f |
|
LOVE CHILD A New Musical by Freda Kelsall and Christopher Irvin. The Amber Ring (2005) : |
The story tells of families living in a textile town, the mill-owning Cloughs, and the staunch chapel-going Holroyds, an unmarried mother, the hand-to-mouth Wilkies, and the relationship of sons and daughters whose destinies are influenced by the traumas of World War I.
It has fun, pathos and romance, and needs plenty of energy!
The original songs illustrate a journey from Music Hall style to the Charleston era, with at least fifteen roles for solo performers, (some can be doubled;) and a range of scenes to engage the full ensemble.
The show can involve 30 - 50 singers, actors, and dancers, accompanied by a pianist and a small orchestra. It can be simply staged, in an open area with set elements positioned by the cast as part of the action, combined with the creative use of sound, lighting, stylised costume, and minimal props; or there are opportunities for more complex and costly productions. In certain circumstances, permission may be granted to adapt the work to suit the needs of particular groups.
Love Child was commissioned in 2003 for final-year Performing Arts students at Huddersfield Technical College in West Yorkshire, England, and first produced at the Highfields Theatre in April 2004.
"A new show to delight audiences for years to come"
HIRE CHARGES ON REQUEST
LOVE CHILD was commissioned by Huddersfield Technical College in 2003 as a full-length musical for Performing Arts students, accompanied by six musicians. A large cast carried the story of three families in a northern textile town through the changes occasioned by World War I, their songs reflecting the loves and joys of youth being battered and matured by suffering. This overture for full orchestra develops some of these themes. First performance Saturday 15 November, 2008 The Boots Orchestra, Nottingham |
(f) Band Parts : Flute/Oboe/ Clarinet in B-flat/ Violoncello/ Percussion |
|
(f)£15.00 each |
GANDS |
orchestral |
| ORCH29j |
|
LOVE CHILD A New Musical by Freda Kelsall and Christopher Irvin. The Amber Ring (2005) : |
The story tells of families living in a textile town, the mill-owning Cloughs, and the staunch chapel-going Holroyds, an unmarried mother, the hand-to-mouth Wilkies, and the relationship of sons and daughters whose destinies are influenced by the traumas of World War I.
It has fun, pathos and romance, and needs plenty of energy!
The original songs illustrate a journey from Music Hall style to the Charleston era, with at least fifteen roles for solo performers, (some can be doubled;) and a range of scenes to engage the full ensemble.
The show can involve 30 - 50 singers, actors, and dancers, accompanied by a pianist and a small orchestra. It can be simply staged, in an open area with set elements positioned by the cast as part of the action, combined with the creative use of sound, lighting, stylised costume, and minimal props; or there are opportunities for more complex and costly productions. In certain circumstances, permission may be granted to adapt the work to suit the needs of particular groups.
Love Child was commissioned in 2003 for final-year Performing Arts students at Huddersfield Technical College in West Yorkshire, England, and first produced at the Highfields Theatre in April 2004.
"A new show to delight audiences for years to come"
HIRE CHARGES ON REQUEST
LOVE CHILD was commissioned by Huddersfield Technical College in 2003 as a full-length musical for Performing Arts students, accompanied by six musicians. A large cast carried the story of three families in a northern textile town through the changes occasioned by World War I, their songs reflecting the loves and joys of youth being battered and matured by suffering. This overture for full orchestra develops some of these themes. First performance Saturday 15 November, 2008 The Boots Orchestra, Nottingham |
(j) Full Score available singly pp69 |
|
(j)£35.00 Score NEW |
GANDS |
orchestral |
| ORCH29i |
|
LOVE CHILD A New Musical by Freda Kelsall and Christopher Irvin. The Amber Ring (2005) : |
The story tells of families living in a textile town, the mill-owning Cloughs, and the staunch chapel-going Holroyds, an unmarried mother, the hand-to-mouth Wilkies, and the relationship of sons and daughters whose destinies are influenced by the traumas of World War I.
It has fun, pathos and romance, and needs plenty of energy!
The original songs illustrate a journey from Music Hall style to the Charleston era, with at least fifteen roles for solo performers, (some can be doubled;) and a range of scenes to engage the full ensemble.
The show can involve 30 - 50 singers, actors, and dancers, accompanied by a pianist and a small orchestra. It can be simply staged, in an open area with set elements positioned by the cast as part of the action, combined with the creative use of sound, lighting, stylised costume, and minimal props; or there are opportunities for more complex and costly productions. In certain circumstances, permission may be granted to adapt the work to suit the needs of particular groups.
Love Child was commissioned in 2003 for final-year Performing Arts students at Huddersfield Technical College in West Yorkshire, England, and first produced at the Highfields Theatre in April 2004.
"A new show to delight audiences for years to come"
HIRE CHARGES ON REQUEST
LOVE CHILD was commissioned by Huddersfield Technical College in 2003 as a full-length musical for Performing Arts students, accompanied by six musicians. A large cast carried the story of three families in a northern textile town through the changes occasioned by World War I, their songs reflecting the loves and joys of youth being battered and matured by suffering. This overture for full orchestra develops some of these themes. First performance Saturday 15 November, 2008 The Boots Orchestra, Nottingham |
(i) LOVE CHILD Concert Overture (Duration: 12 mins.). Published (c) 2008 by Robin Gordon-Powell at The Amber Ring. ISMN : M-708031-49-9
Flute 1/ Flute 2 & Piccolo/ Oboe I/ Oboe 2/ Clarinet 1/ Clarinet 2/ Bassoon 1/ Bassoon 2/ Horn 1/ Horn 2/ Trumpet 1/ Trumpet 2/ Trombone (one only)/ Timpani & Percussion (2 parts for one player)/ Violin (8)/ Violin 2 (6)/ Viola (4)/ Violoncello (4)/ COntrabass (2)/ Full Score pp69 |
|
(i)£210.00 Concert Overture with Score and Parts NEW |
GANDS |
orchestral |
| PIANO64Y |
|
MY LADY MOLLY. A Comedy Opera. Boo |
MY LADY MOLLY. A Comedy Opera. Book and lyrics by G.H. Jessop. Additional lyrics by Percy Greenbank & Charles H. Taylor. Music by SIDNEY JONES. Keith Prowse (1902) : |
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£25.00 scarce |
GANDS |
piano |
| PIANO90e |
|
NEW SULLIVAN SELECTION. Arranged by Dan Godfrey. Chappell (1922): |
(e) Ex-Pub.Lib (blue boards) VG. Chappell pp11 (proscenium arch/spotlight green inner cover) |
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|
(e)£7.00 |
GANDS |
piano |
| ALB2 |
|
ONCE AGAIN |
ONCE AGAIN (plain cover) No. 1 in D Ballad written by Lionel N. Lewin. The music composed expressly for Mr. Sims Reeves by Arthur Sullivan. Boosey & Co. (1872)/ SWEETHEARTS (plain cover) song in A flat sung by Mr. Edward Lloyd. Words by WSG. Music by AS. Chappell (1875)/ SWEETHEARTS WALTZ on Arthur Sullivan's popular song by Charles D'Albert. Tinted illustrated cover: couple in leafy bower (stained). Chappell (1875). In album of 46 items (some coloured) |
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£40.00 |
GANDS |
ALBUM |
| SONG30 |
|
ORPHEUS WITH HIS LUTE |
ORPHEUS WITH HIS LUTE (in B-flat) and O THAT THOU HADST HEARKENED (from THE PRODIGAL SON in G-major) within the Imperial Edition of SOPRANO SONGS Vol.I Boosey & Co. |
(a) maroon cloth and gilt lettering, a.e.g. pp187, VG |
|
(a)£15.00 |
GANDS |
SONGSHEET |
| ORCH61 |
|
TE DEUM LAUDAMUS and "DOMINE SALVAM FAC REGINAM" |
TE DEUM LAUDAMUS and "DOMINE SALVAM FAC REGINAM". Composed for the Festival held at The Crystal Palace, May 1, 1872 in Celebration of the Recovery of H.R.H. THE PRINCE OF WALES by ARTHUR SULLIVAN. FULL SCORE. Novello pp120. Spiral-bound facsimile (25 x 33 cms) @ £20.00
Orchestration (as laid out in full score): Flauto I.
Flauto II.
Oboi.
Clarinetti in C.
Fagotti.
Corni I & II in F.
Corni III & IV in C.
Trombe in C.
Tromboni Alto & Tenor.
Trombone Bass & Ophicleide.
/ Timpani in C.G.
Violino I.
Violino II.
Viola.
SOPRANO.
ALTO.
TENOR.
BASS.
Violoncello.
Contra-Basso.
Organo. |
I also have for monthly hire (80.00 GBP + P&P @ 35.00 GBP despatched in two separate lots) a complete set of ORCHESTRAL PARTS** (including a complete set of MILITARY BAND PARTS*** for No.7 FINAL CHORUS):
** (21 PARTS)
FULL SCORE
FLAUTO I/11 x 2
OBOI 1/11 x 2
CLARINETTI I/II in C x 2
FAGOTTI I/11 x 2
CONTRA-FAGOTTO/ CORNI I/11 in F/E/G x 2
CORNI III/1V in C/D/B-natural x 2
TROMBE I/11 IN C/D/ E-flat x 2
TROMBONI I/1I x 2
TROMBONE BASSO
OPHICLEIDE
TIMPANI
ORGAN
VIOLIN I x 10
VIOLIN II x 8
VIOLA x 8
CELLO & BASS x 12
*** (20 PARTS)
CONCERT FLUTE
OCTAVE PICCOLO
OBOE
SOLO CLARIONET IN B-FLAT
CLARIONET 2 IN B-FLAT
3rd CLARIONET IN B-FLAT
REPIENO CLARIONET IN B-FLAT
CLARIONET IN E-FLAT
FAGOTTI 1 & 2
SAXHORNS
CORNI IN F
CORNET 1 & 2
TROMBONE 1 & 2
TROMBONE BASS
EUPHONIUM
BASSI
SIDE DRUM |
|
£35.00 |
GANDS |
orchestral |
| SSH2 |
|
THE ABSENT-MINDED BEGGAR |
THE ABSENT-MINDED BEGGAR. In D major. Words by Rudyard Kipling. Music by Arthur Sullivan. Published for "The Daily Mail" Publishing Company by Enoch & Sons (1899) pp9 (worn and chipped) |
|
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£7.00 |
GANDS |
SINGLESHEET |
| SONG29 |
|
THE LOST CHORD No.4 |
THE LOST CHORD No.4 in Ab. Album rebound in black cloth (1998). Indexed |
1. UP FROM SOMERSET No.3 in D. Music by Wilfred Sanderson. Words by Fred. E. Weatherly. Boosey (c) 1913 .
2. UNTIL No.1 in D-flat. Music by Wilfred Sanderson. Words by Edward Teschemacher. Boosey (c) 1910
3. MY TREASURE No.2 in G. Music by by Joan Trevalsa. Words by Matthias Barr. Boosey (c) 1903
4. THE GIFT No.2 in E-flat. Music by by A.H. Behrend. Words by F.E. Weatherly. Boosey (n/d)
5. LOVES OLD SWEET SONG No.1 in E-flat. Music by J.L. Molloy. Words by G. Clifton Bingham. Boosey (n/d)
6. WHEN YOU COME HOME No.3 in F. Music by W. H. Squire. Words by F.E. Weatherly. Boosey (c) 1912
7. SYMPATHY in D (Original). Music by Charles Marshall. Words by Mary L. Hay. Williams (1908)
8. THE LOST CHORD No.4 in A-flat. Music by Arthur Sullivan. Words by Adelaide A. Proctor. Boosey (n/d)
9. THE CHILDREN'S HOME in C. Music by Frederic H. Cowen. Poetry by F.E. Weatherly. Morley (n/d)
10. LILY OF MY HEART No.1 in D-flat. Music by H. Geehl. Words by Edward Teschemacher. Gould (c) 1912
11. SOMEWHERE A VOICE IS CALLING No.3 in F. Music by Arthur. E. Tate. Words by Eileen Newton. Larway (c) 1911
12. A SUMMER SHOWER in E-flat. Words & Music by Theo Marzials. Boosey (n/d)
13. THE HOLY CITY in A-flat. Music by Stephen Adams. Words by F.E. Weatherly. Boosey (1892)
14. GOOD-BYE No.1 in A-flat. Music by Paolo Tosti. Words by G.T. Whyte Melville. Ricordi (c) 1902 (stamped May 1911)
15. TIT FOR TAT in E-flat. Music by Henry Pontet. Words by "Nemo". Enoch (n/d)
16. ANCHORED in G. Music by Michael Watson. Written by Samuel K. Cowan M.A. Ascherberg, Hopwood & Crew (n/d)
17. THE ROSARY in D-flat. Music by Ethelbert Nevin. Words by Robert Cameron Rogers. The Boston Music Company (c) 1912 |
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£30.00 |
GANDS |
SONGSHEET |
| PIANO64X |
|
THE MIKADO Easy piano picture book |
THE MIKADO Easy piano picture book (landscape) . Text by Kenneth Lillington after WSG. Music arr. Alan Gout. Illustrations by Jenny Tylden-Wright. Faber & Faber (1988) pp32 + decorative laminated wraps VG |
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£8.00 |
GANDS |
piano |
| 1115 |
|
THE STRAND MUSICAL MAGAZINE : in grey cloth library binding.Edited by E. Hatzfield Vol. I : January to June, 1895 pp484 (some light foxing on edges) |
pp21-27 SONG : EDWARD GRAY. Words by Alfred, Lord Tennyson; Music by Sir Arthur Sullivan/ pp83 - 89 The Royal College of Music/ p97 Hayden-Coffin/ pp169 - 174 Interviews with Eminent Musicians : Sir Arthur Sullivan/ p175 Miss Jessie Bond/ Plate p242: "THE LOST CHORD" From a photograph by W. & D. Downey/ p248 Edward Solomon (with photo.)/ p253 George Grossmith also SONG p279: My Lady Nature's Little Joke/ pp403-5 August Manns (includes references to Sullivan's orchestral output) (ex. college lib.) |
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£25.00 |
GANDS |
|
| SONG50b |
|
THE WILLOW SONG. Wor |
THE WILLOW SONG. Words by Shakespeare (Othello) Music by AS - from THE MUSIC LOVERS' PORTFOLIO Vol.3 Edited by Landon Ronald. Waverley Book Company (1921) (a) |
Another copy (b) from The Music Lovers' Portfolio of the World's Best Music Issue No.11. Orange covers detached |
|
(b)£3.00 |
GANDS |
SONGSHEET |
| SONG50 |
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THE WILLOW SONG. Wor |
THE WILLOW SONG. Words by Shakespeare (Othello) Music by AS - from THE MUSIC LOVERS' PORTFOLIO Vol.3 Edited by Landon Ronald. Waverley Book Company (1921) (a) |
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(a)£5.00 |
GANDS |
SONGSHEET |
| VOC122a |
AUBER |
THE ROYAL EDITION |
THE ROYAL EDITION. Boosey and Co. Edited by Arthur Sullivan and J.Pittman jointly, or solely by Sullivan |
(a) Auber's FRA DIAVOLO pp287. Opera in Three Acts (with Italian and (the original) English words). Red cloth, blue lettering on gilt panel, a.e.g. |
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(a)£25.00 |
GANDS |
VOCALSCORE |
| VOC64 |
AUDRAN, Edmond |
LA POUPEE |
LA POUPEE (Prince of Wales' Theatre 24 Feb. 1897. Cast includes Courtice Pounds). Comic Opera. English Libretto by Arthur Sturgess founded on the French of Maurice Ordonneau. Music by EDMOND AUDRAN. Hopwood & Crew (1897) pp134 |
Publisher's original binding in red cloth (worn) with gilt lettering, protecting MINT illustrated cover, a.e.g. |
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£55.00 |
GANDS |
VOCALSCORE |
| 1380 |
BEECHAM, Adrian Welles |
THE BAB BALLADS Volume Two |
The Bab Ballads with original tunes by Adrian Welles Beecham. Volume Two. Red cloth with gilt lettering. Hutchinson (1922) VG+ |
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£20.00 |
GANDS |
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| 1107 |
BELLINI |
Bellini's NORMA. Opera in Two Acts (with Italian and English Words) |
THE ROYAL EDITION. Boosey & co. Edited by Arthur Sullivan and J. Pittman pp184 |
a.e.g. FINE COPY |
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£35.00 |
GANDS |
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| VOC49b |
CARR, F. Osmond |
HIS EXCELLENCY |
HIS EXCELLENCY (1894) A Comic Opera. Written by WSG. Composed by F.Osmond Carr. Joseph Williams (1894) pp219 |
(b) Photocopy only (A4 comb-bound booklet) |
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(b)£40.00 Photocopy only |
GANDS |
VOCAL SCORE |
| VOC141 |
CARYLL, Ivan & MONCKTON, Lionel |
THE TOREADOR |
(a) THE TOREADOR (1901). An entirely New and Original Musical Play in Two Acts by James T. Tanner & Harry Nicholls. Lyrics by Adrian Ross & Percy Greenbank. Music by Ivan Caryll & Lionel Monckton. Chappell pp231. Condition of music VG. Personally bound in navy cloth with gilt lettering on cover and spine. Edges of cover and back showing signs of wear, and evidence of polish repair, ow covers good
(b) THE TOREADOR (1901). An entirely New and Original Musical Play in Two Acts by James T. Tanner & Harry Nicholls. Lyrics by Adrian Ross & Percy Greenbank. Music by Ivan Caryll & Lionel Monckton. Chappell pp250. Condition of music VG. Quarter leather with gilt lettering on front boards |
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(a)£35.00
(b)£35.00 |
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VOCALSCORE |
| VOC160 |
CELLIER, Francois |
CAPTAIN BILLY Operetta in One Act by Harry Greenbank and Francois Cellier |
Pianoforte arrangement by R.R. Creak. Vocal Score. Chappell pp26. With September 23rd 1891 Cast List printed on half-title page. Copyright "Mrs D'Oyly Carte, Savoy Theatre, London."
Light blue paper wraps. MINT condition
No.4 SONG. (Captain Billy.) : typed text overlay tacked-in :
Verses 2 and 3 to be altered as follows:
Mum trained us in the way That every good boy goes in
And we were told our hands to fold And turn our little toes in
We nourished our young souls On rich Gladstonian Leaven;
Pure Liberals :- "The Radicals", we said "Are barred from Heaven".
"Three Acres and a Cow", As Chamberlain expounded
We felt to be a heresay, Confusion worse confounded.
But Mother died, then Jack, Foreswore his first opinions
And joined the flocks Unorthodox in Chamberlain's dominions. |
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£20.00 double-sided spiral-bound photocopied booklet |
GANDS |
VOCAL SCORE |
| SSH16 |
CLAY, Frederic |
I'LL SING THEE SONGS OF ARABY. No.2 in F |
I'LL SING THEE SONGS OF ARABY. No.2 in F. From the Cantata LALLA ROOKH. Written by W.G.Wills. Composed by Frederic Clay. Chappell pp5 (later edition - c.1940's.) |
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£5.00 |
GANDS |
SINGLESHEET |
| VOC63 |
CLAY, Frederic |
LALLA ROOKH |
LALLA ROOKH. Cantata (expressly composed for Mr Kuhe's Brighton Musical Festival, February, 1877) (The subject founded on Moore's Eastern legend). The Words by W.G.Wills. The Music by FREDERIC CLAY. Chappell pp139. Albion Music Reprints (A4 spiral-bound booklet ) |
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£40.00 |
GANDS |
VOCALSCORE |
| 1106 |
DONIZETTI |
Donizetti's DON PASQUALE. Opera in Three Acts with Italian words and a new English adaptation by Charles Lamb Kenney |
THE ROYAL EDITION. Boosey & Co. Edited by Arthur Sullivan and J. Pittman pp224 |
a.e.g. VG copy |
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£30.00 |
GANDS |
VOCAL SCORE |
| VOC35X |
FINCK, Herman |
A "G. & S." COCKTAIL |
A "G. & S." COCKTAIL or A Mixed Savoy Grill. Written by Lauri Wylie. Composed by Herman Finck. As performed at the LONDON HIPPODROME in Better Days (1925) and broadcast by the B.B.C. Ascherberg, Hopwood & Crew (1936) pp48 (Time of performance approximately 25 minutes) (a) original @ £35.00 SOLD (b) £15.00 (A4 photocopied spiral-bound booklet) |
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(a)ORIGINAL SOLD(b) £15.00 (A4 photocopied spiral-bound booklet) |
GANDS |
VOCALSCORE |
| VOC122e |
FLOTOW |
(e)Flotow's MARTA (MARTHA). Opera in Four Acts (with Italian and English words) |
(e)THE ROYAL EDITION. Boosey and Co. Edited by Arthur Sullivan pp248 |
(e) a.e.g., FINE COPY |
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(e)£35.00 |
GANDS |
VOCALSCORE |
| VOCA1395 |
FRASER-SIMSON, Harold |
A SOUTHERN MAID A Musical Play in Three Acts |
Book by Dion Clayton Calthrop and Harry Graham. Lyrics by Harry Graham and Adrian Ross. Additional Numbers by Ivor Novello and G. H. Clutsam. Additional Lyrics by Douglas Furber. Ascherberg, Hopwood & Crew (1918) pp140 |
original decorative bevilled boards, a fine copy |
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£40.00 |
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VOCAL SCORE |
| VOC60 |
FRIML, Rudolf |
KATINKA vocal score (and orchestra set of parts available) |
KATINKA : A Musical Play as presented by Mr. Arthur Hammerstein at the Park Theatre, Morristown, N.J. Dec. 2nd, 1915. Book and Lyrics by Otto Hauerbach. Music by Rudolf Friml. G. Schirmer, New York (1916) pp191(with original cast list), original colour illustrated paper wraps, condition good
(b) Orchestra Selection (Aranged by Carl Kiefert) from the Musical Play also available: Piano accompaniment pp15 x2; Flute; Oboe; Clarinet I in A; Clarinet II in A; Bassoon x2; Horns I and II in F; Cornet I in A; Cornet II in A; Trombone; Drums, etc. x2; Violin I x5; Violin II; Viola; Violoncello x2; Bass. Feldman (1916) |
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(a)£35.00
(b)£30.00 |
GANDS |
VOCALSCORE |
| ORCH38 |
GERMAN, Edward |
NELL GWYN Three Dances for Orchestra |
Chappell (1900): (a) A4 Photocopied set of parts: Piano Solo part pp17 (arranged by the composer) + 1st Violin x 6/ 2nd Violin x 5/ Viola x 4/ Violoncello x 3/ Bass x 2/ Flutes & Piccolo/ Oboe/ Clarinets in A
Bassoons
Horns in F/ Cornets in A/ 1st & 2nd Trombones/ 3rd Trombone
Harp
Timpani G. D. & Side Drum/ Bass Drum, Cymbals, Tambourine & Triangle |
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(a)£40.00 |
GANDS |
orchestral |
| VOCA1379 |
GERMAN, Edward |
THE JUST SO SONG BOOK |
Words by Rudyard Kipling. Music by Edward German. Macmillan (1922) with d/w VG+ |
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£20.00 |
GANDS |
VOCAL SCORE |
| ORCH1206 |
GERMAN, Edward |
TOM JONES Three Dances : Morris Dance; Gavotte; Jig. Chappell No.81 (1907) |
Orchestral set: 1st & 2nd Flutes; Oboe; 1st & 2nd Clarinets in A; Bassoon; Horns in F; 1st & 2nd Cornets in A; 1st & 2nd Trombone; Bass Trombone; Drums; 1st Violin (Conductor) x 4; 2nd Violin; Viola; Cello & Bass x 2 |
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£50.00 |
GANDS |
orchestral |
| VOC1b |
GILBERT & SULLIVAN |
THE IMMORTAL GILBERT & SULLIVAN OPERAS |
Containing The Stories of the Plays and the Words and Music of Famous Numbers from each Opera. With an appreciation by Sir Henry Lytton. The`News Chronicle' Publications Dept. (c.1932) Issued as a part-work, (24 issues), and once completed returned for binding.
Vol.I Famous Numbers from THE MIKADO, THE GONDOLIERS, THE YEOMEN OF THE GUARD.192pp.
Vol.2 Famous Numbers from H.M.S. PINAFORE, SELECTION: Gems From Gilbert and Sullivan. Arranged for the Piano by Reg. H. Casson, THE PIRATES OF PENZANCE, THE SORCERER. 192pp
Vol.3 Famous Numbers from RUDDIGORE, PATIENCE, THE GRAND DUKE, TRIAL BY JURY. Selection: Gems From Gilbert and Sullivan.Arranged for the Piano by Reg. H. Casson.192pp
Vol.4 Famous Numbers from IOLANTHE, UTOPIA LTD., PRINCESS IDA. 192pp |
RED CLOTH 4-VOLUME SET : |
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(b) £25.00 (good) |
GANDS |
VOCALSCORE |
| SONG41a |
GILBERT & SULLIVAN |
THE SINGER'S GILBERT & SULLIVAN Women's Edition |
(a) THE SINGER'S GILBERT & SULLIVAN Women's Edition. 8 Classics from PF; MK; PP; PI; RG; YG. Companion CD includes Full Orchestra Accompaniments Recorded by the Czech Symphony Orchestra, Plus Performances by Professional Singers. Hal Leonard (1996) pp39 |
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(a)£16.95 NEW |
GANDS |
SONGSHEET |
| VOC1a |
GILBERT & SULLIVAN OPERAS |
THE IMMORTAL GILBERT & SULLIVAN OPERAS |
Containing The Stories of the Plays and the Words and Music of Famous Numbers from each Opera. With an appreciation by Sir Henry Lytton. The`News Chronicle' Publications Dept. (c.1932) Issued as a part-work, (24 issues), and once completed returned for binding.
Vol.I Famous Numbers from THE MIKADO, THE GONDOLIERS, THE YEOMEN OF THE GUARD.192pp.
Vol.2 Famous Numbers from H.M.S. PINAFORE, SELECTION: Gems From Gilbert and Sullivan. Arranged for the Piano by Reg. H. Casson, THE PIRATES OF PENZANCE, THE SORCERER. 192pp
Vol.3 Famous Numbers from RUDDIGORE, PATIENCE, THE GRAND DUKE, TRIAL BY JURY. Selection: Gems From Gilbert and Sullivan.Arranged for the Piano by Reg. H. Casson.192pp
Vol.4 Famous Numbers from IOLANTHE, UTOPIA LTD., PRINCESS IDA. 192pp |
RED CLOTH 4-VOLUME SET : |
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(a) £15.00 (worn) |
GANDS |
VOCALSCORE |
| VOCA1327 |
GILBERT, W.S. & SULLIVAN, A. |
H.M.S. PINAFORE |
Metzler (1909) pp147 (with advertisement for Children’s Edition) |
royal blue boards, a.e.g., gilt lettering on front board |
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£25.00 |
GANDS |
VOCAL SCORE |
| VOCA1345 |
GILBERT, W.S. & SULLIVAN, A. |
PRINCESS IDA |
Chappell pp134, red cloth, a.e..g. school prize (1932) |
copyright 1911 |
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£15.00 |
GANDS |
VOCAL SCORE |
| VOCA1344 |
GILBERT, W.S. & SULLIVAN, A.S |
RUDDIGORE |
Chappell pp129 |
red cloth, gilt lettering, a.e.g. |
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£15.00 |
GANDS |
VOCAL SCORE |
| VOCA1331 |
Gilbert, W.S. & Sullivan, A.S. |
H.M.S. PINAFORE vocal score (early edition) |
Metzler pp105 (inscribed 1917). With reference to 1889 revival |
navy blue cloth, with gilt lettering, a.e.g. Some wear to boards |
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£20.00 |
GANDS |
VOCAL SCORE |
| 1244 |
GILBERT, W.S. & SULLIVAN, Arthur |
PATIENCE (revised edition) vocal score |
Published betwwen 1911-1948. Chappell pp145 |
red cloth, a.e.g., gilt lettering on spine and front board |
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£15.00 |
GANDS |
VOCAL SCORE |
| 1245 |
GILBERT, W.S. & SULLIVAN, Arthur |
PRINCESS IDA; (sic) vocal score |
Chappell pp134 |
Bound in red cloth, a.e.g. (1911-1948 Rupert DC edition), gilt lettering on spine and front board, sl. shaken |
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£10.00 |
GANDS |
VOCAL SCORE |
| VOCA1154 |
GILBERT, W.S. and SULLIVAN, A.S. |
THE YEOMEN OF THE GUARD |
SAVOY EDITION : Vol. IX. Chappell pp136 (inscribed 1907). Cast Lists for 1888 & 1897 |
red cloth (dull) with gilt lettering, a.e.g. |
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£15.00 |
GANDS |
VOCALSCORE |
| SSH51b |
GILBERT, WS.G. & SULLIVAN, A. |
THE DISTANT SHORE Song. Sung by Mr Edward Lloyd (1874) |
THE DISTANT SHORE in F. Chappell pp7 |
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£20.00 |
GANDS |
SONGSHEET |
| VOC122f |
GOUNOD |
(f) Gounod's FAUST. Opera in Five Acts (with Italian and English words - the latter by H.F. Chorley) |
(f) THE ROYAL EDITION. Boosey and Co. Edited by Arthur Sullivan pp247 |
(f) a.e.g. (1) VG (2) Covers unevenly faded, lettering bright , inscribed Nov: 1896 |
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(f)(1)£30.00 (2)£20.00 |
GANDS |
VOCALSCORE |
| VOC122h |
GOUNOD |
(h) Gounod's THE MOCK DOCTOR (Le Medecin Malgre Lui) Comic Opera in Three Acts. The English Version by Charles Lamb Kenney |
(h) THE ROYAL EDITION. Boosey and Co. Edited by Arthur Sullivan and J.Pittman |
(h) Inscribed 18.2.73, a.e.g. FINE COPY (period Royal College of Music embossed stamp) |
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(h)£30.00 |
GANDS |
VOCAL SCORE |
| SSH3b |
GROSSMITH, George |
AN AWFUL LITTLE SCRUB. Humorous Song. Written, Composed & Sung by GEORGE GROSSMITH |
(b) J.Bath pp5 (ex-album) VG (list of Grossmith songs on back) |
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(b)£10.00 |
GANDS |
SINGLESHEET |
| SSH3a |
GROSSMITH, George |
AN AWFUL LITTLE SCRUB. Humorous Song. Written, Composed & Sung by GEORGE GROSSMITH |
(a) Concanen Illustrated Music Cover (detached) with music. J.Bath pp5 (ex-album) VG |
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(a)£40.00 |
GANDS |
SINGLESHEET |
| ORCH16b |
GRUNDY, Sydney & SULLIVAN, Arthur |
HADDON HALL Full Score |
NEW: HADDON HALL Full Score - with such curiosities as two pieces of "Exit" and "Entry" music not in the vocal score, and extra verse for Sir George's song. Edited by Roger Harris. R.Clyde edition (2006). Issued in two volumes |
Vols.7a & b M-7-8011-94-1 spiral-bound |
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(b)£99.00 |
GANDS |
orchestral |
| ORCH29b |
IRVIN, Christopher |
LOVE CHILD A New Musical by Freda Kelsall and Christopher Irvin. The Amber Ring (2005) : |
The story tells of families living in a textile town, the mill-owning Cloughs, and the staunch chapel-going Holroyds, an unmarried mother, the hand-to-mouth Wilkies, and the relationship of sons and daughters whose destinies are influenced by the traumas of World War I.
It has fun, pathos and romance, and needs plenty of energy!
The original songs illustrate a journey from Music Hall style to the Charleston era, with at least fifteen roles for solo performers, (some can be doubled;) and a range of scenes to engage the full ensemble.
The show can involve 30 - 50 singers, actors, and dancers, accompanied by a pianist and a small orchestra. It can be simply staged, in an open area with set elements positioned by the cast as part of the action, combined with the creative use of sound, lighting, stylised costume, and minimal props; or there are opportunities for more complex and costly productions. In certain circumstances, permission may be granted to adapt the work to suit the needs of particular groups.
Love Child was commissioned in 2003 for final-year Performing Arts students at Huddersfield Technical College in West Yorkshire, England, and first produced at the Highfields Theatre in April 2004.
"A new show to delight audiences for years to come"
HIRE CHARGES ON REQUEST
LOVE CHILD was commissioned by Huddersfield Technical College in 2003 as a full-length musical for Performing Arts students, accompanied by six musicians. A large cast carried the story of three families in a northern textile town through the changes occasioned by World War I, their songs reflecting the loves and joys of youth being battered and matured by suffering. This overture for full orchestra develops some of these themes. First performance Saturday 15 November, 2008 The Boots Orchestra, Nottingham |
(b) Hardback Vocal Score with gilt lettering on spine/front board pp226 |
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(b)£45.00 |
GANDS |
orchestral |
| ORCH29g |
IRVIN, Christopher |
LOVE CHILD A New Musical by Freda Kelsall and Christopher Irvin. The Amber Ring (2005) : |
The story tells of families living in a textile town, the mill-owning Cloughs, and the staunch chapel-going Holroyds, an unmarried mother, the hand-to-mouth Wilkies, and the relationship of sons and daughters whose destinies are influenced by the traumas of World War I.
It has fun, pathos and romance, and needs plenty of energy!
The original songs illustrate a journey from Music Hall style to the Charleston era, with at least fifteen roles for solo performers, (some can be doubled;) and a range of scenes to engage the full ensemble.
The show can involve 30 - 50 singers, actors, and dancers, accompanied by a pianist and a small orchestra. It can be simply staged, in an open area with set elements positioned by the cast as part of the action, combined with the creative use of sound, lighting, stylised costume, and minimal props; or there are opportunities for more complex and costly productions. In certain circumstances, permission may be granted to adapt the work to suit the needs of particular groups.
Love Child was commissioned in 2003 for final-year Performing Arts students at Huddersfield Technical College in West Yorkshire, England, and first produced at the Highfields Theatre in April 2004.
"A new show to delight audiences for years to come"
HIRE CHARGES ON REQUEST
LOVE CHILD was commissioned by Huddersfield Technical College in 2003 as a full-length musical for Performing Arts students, accompanied by six musicians. A large cast carried the story of three families in a northern textile town through the changes occasioned by World War I, their songs reflecting the loves and joys of youth being battered and matured by suffering. This overture for full orchestra develops some of these themes. First performance Saturday 15 November, 2008 The Boots Orchestra, Nottingham |
(g) Full performing set: Vocal Score; libretto; Full Score; set of 5 band parts : £151.00 less 15% discount (£22.65) = £128.35 |
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(g)£128.35 |
GANDS |
orchestral |
| VOC44 |
JONES, Sidney |
A GREEK SLAVE A Musical Comedy |
(a)Libretto by Owen Hall. Lyrics by Harry Greenbank and Adrian Ross. Music by Sidney Jones. Ascherberg, Hopwood & Crew (1898) pp195. Original Publisher's hardback binding, red cloth with gilt lettering on front boards (stain top right ). Coloured Illustrated Music Cover inside by W. George (VG)
(b)h/b copy, cover worn, ow contents good |
a.e.g. |
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(a)£50.00
(b)£25.00 |
GANDS |
VOCALSCORE |
| VOC91a |
JONES, Sidney |
MY LADY MOLLY |
MY LADY MOLLY. A Comedy Opera. Book and lyrics by G.H. Jessop. Additional lyrics by Percy Greenbank & Charles H. Taylor. Music by SIDNEY JONES. Keith Prowse (1902) |
(a) SOUVENIR OF THE 200TH PERFORMANCE pp271 maroon boards with gilt lettering on cover and spine. Coloured Illustrated Music Cover title page. Cast List. FINE COPY Scarce |
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(a)£85.00 Scarce |
GANDS |
VOCALSCORE |
| VOC91f |
JONES, Sidney |
MY LADY MOLLY |
MY LADY MOLLY. A Comedy Opera. Book and lyrics by G.H. Jessop. Additional lyrics by Percy Greenbank & Charles H. Taylor. Music by SIDNEY JONES. Keith Prowse (1902) |
(f) PIANOFORTE SCORE arranged by Guy Jones. Keith, Prowse & Co. (1902) pp115 VG |
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(f)£25.00 scarce |
GANDS |
VOCALSCORE |
| VOC91d |
JONES, Sidney |
MY LADY MOLLY |
MY LADY MOLLY. A Comedy Opera. Book and lyrics by G.H. Jessop. Additional lyrics by Percy Greenbank & Charles H. Taylor. Music by SIDNEY JONES. Keith Prowse (1902) |
(d) Programme: (inscribed T.F.Howell 4/4/3). Cast : Sybil Arundale, Decima Moore, Gaynor Rowlands, Andree Corday, Richard Green, Walter Hyde, Arthur Winckworth, Bert Gilbert, J.T. MacCallum, William Waite, Gilbert Laye, Margaret Parker, Madge Greet, Susie Nainby, Dixon Blackburn and Leonard James (16-page booklet) (outer back wrap colour advert for champagne) VG |
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(d)£45.00 |
GANDS |
VOCALSCORE |
| VOC91b |
JONES, Sidney |
MY LADY MOLLY |
MY LADY MOLLY. A Comedy Opera. Book and lyrics by G.H. Jessop. Additional lyrics by Percy Greenbank & Charles H. Taylor. Music by SIDNEY JONES. Keith Prowse (1902) |
(b) pp255 original buff paper covers, spine intact |
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(b)£50.00 |
GANDS |
VOCALSCORE |
| VOC91c |
JONES, Sidney |
MY LADY MOLLY |
MY LADY MOLLY. A Comedy Opera. Book and lyrics by G.H. Jessop. Additional lyrics by Percy Greenbank & Charles H. Taylor. Music by SIDNEY JONES. Keith Prowse (1902) |
(c) Illustrated Music Cover : MY LADY MOLLY Lancers (ill. by W.George) arr. Carl Kiefert. Keith, Prowse & Co. (1902) pp9 |
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(c)£40.00 |
GANDS |
VOCALSCORE |
| VOC91e |
JONES, Sidney |
MY LADY MOLLY. |
MY LADY MOLLY. A Comedy Opera. Book and lyrics by G.H. Jessop. Additional lyrics by Percy Greenbank & Charles H. Taylor. Music by SIDNEY JONES. Keith Prowse (1902) |
(e) 1st Violin (Conductor) part only from SELECTION arr. Carl Kiefert. Hawkes & Son CONCERT EDITION (1903) pp14 scarce |
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(e)£7.50 scarce |
GANDS |
VOCALSCORE |
| VOC69 |
LECOCQ, Charles |
LA FILLE DE MADAME ANGOT |
LA FILLE DE MADAME ANGOT (1872). Comic Opera. The Words by Clairville, Siraudin, & Koning. Translated into English by H.J.Byron. Boosey & Co. pp276 (leather with gilt lettering: spine worn) |
(early run programmes available : see PROGRAMMES - also Illustrated Music Covers) |
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£45.00 |
GANDS |
VOCAL SCORE |
| VOCA1272 |
LOHR, Hermann |
OUR LITTLE CINDERELLA A Play with Music in Three Acts by Leo Trevor |
Lyrics by Arhtur Wimperis. Music by Hermann Lohr. Chappell (1911) pp155. Ex-Pub.Lib. Contents VG. Cover (within library binding) : full-page photograph of Miss Margery Maude as Cinderella |
The show was produced by the actor-manager Cyril Maude (1862-1951) who co-ran the Haymarket, and later the Playhouse theatre. In OUR LITTLE CINDERELLA he plays Lord Punterfield (a rather Trollope-like name!). Cinderella is played by his daughter Margery Maude (1889 -1979). |
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£30.00 |
GANDS |
VOCAL SCORE |
| VOCA1336 |
MACFARREN, G.A. |
KING DAVID An Oratorio |
Leeds Musical Festival (1883). Stanley, Lucas, Weber & Co. pp305 |
Basil Tree stamp (and signature), St. James Hall, covers faded, ow good |
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£40.00 |
GANDS |
VOCAL SCORE |
| 1101 |
MACFARREN, G.A. |
ROBIN HOOD Opera in three Acts (1860) |
Written by John Oxenford. Arranged from the score, by Edward F. Rimbault. Facsimile of Cramer, Beale & Chappell vocal score of 1860, and used for the 2010 Victorian Opera Northwest recording. 2nd Edition pp301. Background notes by Raymond Walker |
laminated wraps |
 |
£24.95 NEW |
GANDS |
VOCAL SCORE |
| SONG1290 |
Melville & Sullivan |
SLEEP MY LOVE, SLEEP |
Song. Words by G. Whyte Melville. The Music composed expressly for Madame Patey. No.1 in D-flat. Boosey pp7 (1874) |
pages detached |
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£25.00 |
GANDS |
SONGSHEET |
| VOC146b |
MESSAGER, Andre |
VERONIQUE |
VERONIQUE. Comic Opera in Three Acts (Apollo Theatre 18 May 1904 with Rosina Brandram in cast : 495 nights). By A. Vanloo and G.Duval. Music by Andre Messager. English version by Henry Hamilton. Lyrics by Lilian Eldee. With alterations and additions by Percy Greenbank. Chappell pp244 |
(b) (New Edition 1904), laminated wraps, some operatic society stamps |
|
(b)£40.00 |
GANDS |
VOCALSCORE |
| VOC146 |
MESSAGER, Andre |
VERONIQUE |
VERONIQUE. Comic Opera in Three Acts (Apollo Theatre 18 May 1904 with Rosina Brandram in cast : 495 nights). By A. Vanloo and G.Duval. Music by Andre Messager. English version by Henry Hamilton. Lyrics by Lilian Eldee. With alterations and additions by Percy Greenbank. Chappell pp244 |
(a) (1904 1st) with Illustrated Music Cover scarce |
|
(a)£50.00 |
GANDS |
VOCALSCORE |
| VOC20a |
MONCKTON, Lionel |
A COUNTRY GIRL |
(a) A COUNTRY GIRL (Daly's Theatre, produced by George Edwardes, cast includes C.Hayden-Coffin and Rutland Barrington). A New and Original Musical Play by James T.Tanner. Lyrics by Adrian Ross. Music by LIONEL MONCKTON. Additional lyrics and numbers by Paul A.Rubens. Additional lyrics by Percy Greenbank. Chappell (c)1901: Original publisher's binding, green cloth & gilt lettering. With coloured decorative music cover by W.George (foxed) of girl in silvan setting. Chappell . New Edition (1904) pp212 (new endpapers) |
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£100.00 |
GANDS |
VOCALSCORE |
| VOCA1404 |
OFFENBACH, J. |
LA GRANDE DUCHESSE DE GEROLSTEIN Comic Opera in Three Acts |
(a) With French and English words (the latter by Charles Lamb Kenney).Edited by J. Pittman. Boosey and Co. THE ROYAL EDITION (EXTRA VOLUME) pp296 (with Supplement)
(b)Operatic Society version. Book by John Grimsey. Lyrics by Phil Park. Music adapted by Ronalsd Hanmer. Weinberger (1969) pp247 |
(a)dull plum cloth, gilt and blue lettering, a.e.g.
(b) paper wraps, good s/h condition |
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(a) £15.00
(b) £20.00 |
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VOCAL SCORE |
| VOCA1314 |
ROMBERG, Sigmund |
THE STUDENT PRINCE |
Book & Lyrics by Dorothy Donnelly. Music by Sigmund Romberg. Chappell (1932) pp166
(a)£15.00
(b) hardback ex-public library £12.00 |
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(a)£15.00
(b)£12.00 |
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VOCAL SCORE |
| VOCA1338 |
STEPHENSON, B.C. & CELLIER, Alfred |
DOROTHY (1886). A Comedy Opera |
Written by B.C.Stephenson. Music by Alfred Cellier. Chappell NEW EDITION (1924) pp189 |
red cloth a.e.g., unevenly faded |
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£20.00 |
GANDS |
VOCAL SCORE |
| VOCA1405 |
STRAUSS, Johann |
DIE FLEDERMAUS (The Bat) |
English version by Ruth and Thomas Martin. G. Schirmer (1951) pp168 |
good s/h condition, paper wraps intact |
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£10.00 |
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VOCAL SCORE |
| VOCA1406 |
STRAUSS, Johann |
THE GIPSY BARON (Der Zigeunerbaron 1885 ) Comic Opera in Three Acts |
From a story of Maurus Jokai by Ignatz Schnitzer. English text by Henrik Ege. Aug. Cranz KG, Wiesbadden (1948) pp249 |
good s/h condition, paper wraps intact |
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£20.00 |
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VOCAL SCORE |
| VOC38 |
STRAUSS, Johann |
THE GIPSY BARON (Der Zigeunerbaron 1885 ) Operetta in Three Acts |
Music by Johann Strauss. Libretto by Ignatz Schnitzer. Music adapted and arranged by Ronald Hanmer. Original libretto by Ig. Schnitzer
New libretto by Phil Park & Conrad Carter. Lyrics by Phil Park. Weinberger (1955) pp237
(a) VG copy @ £20.00
(b) (some marking of score, covers sl. worn, ow good) @ £9.00 |
Operatic Society version |
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(a)£20.00
(b)£9.00 |
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VOCALSCORE |
| SOLOSH10 |
SULLIVAN, Arthur |
A TREASURY OF GILBERT and SULLIVAN |
A TREASURY OF GILBERT and SULLIVAN (14 items) for the Hammond Organist arranged by Marcel G. Frank. Marks, USA pp32 (1959) |
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£7.00 |
GANDS |
SOLOINSTRUMENT |
| SONG7 |
SULLIVAN, Arthur |
BASS SONGS including I WOULD I WERE KING |
BASS SONGS including I WOULD I WERE KING (1878) (V.Hugo trans. Sir Alexander Cockburn, Bart G.C.B) Boosey Imperial Edition pp204 (no date) (Ex-Pub.Lib hardback) condition: good |
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£8.00 |
GANDS |
SONGSHEET |
| SONG14 |
SULLIVAN, Arthur |
CLASSIC TENOR SONGS including EVER |
CLASSIC TENOR SONGS including EVER (1887) in Db by Arthur Sullivan. Ditson (1888) pp151 a.e.g. gilt lettering on blue cloth (badly ink-stained) |
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£20.00 |
GANDS |
SONGSHEET |
| PS4 |
SULLIVAN, Arthur |
ECHOES (part of `Seven Part-Songs', pub. 1868). |
A Four-Part Song. The Words by Thomas Moore. Novello's Part-Song Book No.155 pp6 (6 copies @ £10.00 each) very scarce |
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£10.00 |
GANDS |
partsong |
| ORCH1323 |
SULLIVAN, Arthur |
GEMS FROM SULLIVAN'S OPERAS (No.3). Grand Selection. Selected and Arranged by J. Ord Hume |
(Test piece, Thousand Guinea Challenge Trophy Contest, Crystal Palace (London), 1901). Soprano E-flat Cornet; Solo B-flat Cornet (Conductor); Repiano B-flat Cornet; 2nd B-flat Cornet; 3rd B-flat Cornet; Solo E-flat Tenor Horn; 1st E-flat Tenor Sax/Horn; 2nd E-flat Tenor Horn; 1st B-flat Baritone; 2nd B-flat Baritone; 1st Trombone; 2nd Trombone; Bass Trombone; B-flat Euphonium; E-flat Contra Bass; B-flat Bass; Contra Bass; Drums:-
Ivanhoe March; "La Criada" (The Chieftain), "He loves! If in the bygone Years (Iolanthe);"Herne, The Hunter, Music" (Victoria and Merrie England); "Lord of our chosen Race" (Ivanhoe); Brother, thou art gone before us" (The Martyr of Antioch); March (Victoria and Merrie England)
Published by R.Smith & Co. Engraved Leipzig. |
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£15.00 |
GANDS |
orchestral |
| VOC103b |
SULLIVAN, Arthur |
H.M.S. PINAFORE |
H.M.S. PINAFORE |
(b) red cloth, clean pp150. Cramer a.e.g. (pre-1948) |
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(b)£15.00 |
GANDS |
VOCALSCORE |
| VOC56 |
SULLIVAN, Arthur |
IOLANTHE |
IOLANTHE. G.Schirmer Edition, USA (Authentic Version Edited by Bryceson Treharne) (with dialogue) decorative front paper wraps pp208, virtually new (inscription on title page) |
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£8.50 |
GANDS |
VOCALSCORE |
| VOC53b |
SULLIVAN, Arthur |
IOLANTHE |
Chappell c.1920s, pp174 : red cloth, with gilt lettering on spine and front board, a.e.g. VG |
TWO COPIES AVAILABLE |
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(b)£10.00 |
GANDS |
VOCAL SCORE |
| ORCH40 |
SULLIVAN, Arthur |
ON SHORE AND SEA. A Dramatic Cantata |
Composed expressly for, and performed at the opening of, the London International Exhibition May 1st, 1871. Words by Tom Taylor. Music by Arthur Sullivan. FULL SCORE edited by Martin Wright. Published (c) 2006 by Robin Gordon-Powell at The Amber Ring. ISMN : M-708031-30-7 : pp130 + ppxxii, light blue cloth, silver lettering on spine |
(Complete orchestral material for this work is available and may be obtained from the publisher) |
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£75.00 NEW |
GANDS |
orchestral |
| ORCH42 |
SULLIVAN, Arthur |
ONWARD CHRISTIAN SOLDIERS Hymn Tune |
Orchestrations by Victor Fleming. A series of popular hymns arranged for full orchestra or smaller ensembles. FULL SCORE. Augener Galliard (1963) pp4 |
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£10.00 |
GANDS |
orchestral |
| VOC100b |
SULLIVAN, Arthur |
PATIENCE |
PATIENCE |
(b) pp140 paper wraps : spine strip missing, front wrap detached, back wrap missing. Cast Lists 1881/1900 |
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(b)£15.00 |
GANDS |
VOCALSCORE |
| VOC100c |
SULLIVAN, Arthur |
PATIENCE |
PATIENCE |
(c) (c.1926) Newly rebound post-1911 edition in navy cloth with gilt lettering. VG |
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(c)£50.00 |
GANDS |
VOCALSCORE |
| ORCH43 |
SULLIVAN, Arthur |
PATIENCE. W.Winterbottom's Fantasia |
Fantasia Selection. Arranged for String Orchestra by E.Binding. Piano Conductor (with orchestral cues - including WIND). Hawkes pp20 A4 stapled PHOTOCOPIED BOOKLET only |
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£4.00 photocopied booklet only |
GANDS |
piano |
| VOC112b |
SULLIVAN, Arthur |
PRINCESS IDA. |
PRINCESS IDA. Chappell pp134 |
(b) Bound in red cloth, a.e.g. (1911-1948 Rupert DC edition), top of spine sl. rubbed, ow VG copy |
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(b)£15.00 |
GANDS |
VOCALSCORE |
| VOC123d |
SULLIVAN, Arthur |
RUDDIGORE |
RUDDIGORE. Chappell |
(d) pp141, red cloth, a.e.g. gilt lettering (spine faded) (inscribed Sept. 19, 1934) |
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(d)£15.00 |
GANDS |
VOCALSCORE |
| PIANO79b |
SULLIVAN, Arthur |
RUDDIGORE SELECTION By W.Winterbottom. Arranged from G.L.Tracy's Vocal Score. Chappell (turn of the century) pp19 |
(b) smaller format (24.5 x 31.5) plain cover |
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GANDS |
piano |
| PIANO79a |
SULLIVAN, Arthur |
RUDDIGORE SELECTION By W.Winterbottom. Arranged from G.L.Tracy's Vocal Score. Chappell (turn of the century) pp19 |
(a) large format (25.5 cms x c.35.5cms) plain cover |
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£5.00 each |
GANDS |
piano |
| SSH41 |
SULLIVAN, Arthur |
SWEETHEARTS |
SWEETHEARTS (1875) in A-flat. Words by WSG. Chappell pp7 (inscribed March 1881) |
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£15.00 |
GANDS |
SINGLESHEET |
| SSH8 |
SULLIVAN, Arthur |
THE CHORISTER (in F major) |
THE CHORISTER (in F major). Words by Fred E. Weatherly. Music by Arthur S. Sullivan. Sung by Madame Antoinette Sterling. Also by Miss Coyte Turner. pp5 b&w cover |
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£8.00 |
GANDS |
SINGLESHEET |
| VOC39a |
SULLIVAN, Arthur |
THE GOLDEN LEGEND |
THE GOLDEN LEGEND. Adapted from the poem by Longfellow by Joseph Bennett. Set to music by Arthur Sullivan. The pianoforte arrangement by Berthold Tours. Novello's Original Octavo Edition pp137 |
(a) scarlet cloth, gilt lettering a.e.g. |
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(a)£25.00 |
GANDS |
VOCAL SCORE |
| VOC65d |
SULLIVAN, Arthur |
THE LIGHT OF THE WORLD |
THE LIGHT OF THE WORLD. An Oratorio. The words compiled from THE HOLY SCRIPTURES. Composed by Sir Arthur S.Sullivan (First perf. Birmingham Music Festival Aug.27, 1873) Cramer pp259 |
(d) This new ed. prepared to celebrate the centenary of the death of Sir Arthur Sullivan on Nov.22, 1900 for a performance given by the North-West Region of the National Federation of Music Societies on Nov.25, 2000. Notes by Raymond Walker. Cramer (2000) pp276 laminated paper wraps |
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(d)£12.00 |
GANDS |
VOCALSCORE |
| VOC65b |
SULLIVAN, Arthur |
THE LIGHT OF THE WORLD |
THE LIGHT OF THE WORLD. An Oratorio. The words compiled from THE HOLY SCRIPTURES. Composed by Sir Arthur S.Sullivan (First perf. Birmingham Music Festival Aug.27, 1873) Cramer pp259 |
(b) Second Edition (1873). Ex-Pub.Lib (trimmed) VG |
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(b)£35.00 |
GANDS |
VOCALSCORE |
| VOC65a |
SULLIVAN, Arthur |
THE LIGHT OF THE WORLD |
THE LIGHT OF THE WORLD. An Oratorio. The words compiled from THE HOLY SCRIPTURES. Composed by Sir Arthur S.Sullivan (First perf. Birmingham Music Festival Aug.27, 1873) Cramer pp259 |
(a) Second Edition (1873) Ex-Public Music Reference Library (navy boards, rebound Jan 1932), pp259, VG |
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(a)£40.00 |
GANDS |
VOCALSCORE |
| 1328 |
Sullivan, Arthur |
THE LIGHT OF THE WORLD. An Oratorio First Performed at the Birmingham Musical Festival, Aug. 27, 1873. The Words Compiled from The Holy Scriptures |
FULL SCORE in 2 Vols.
Volume 1 - M-708031-81-9 Introduction ppix-xxvii FS : pp237. Volume 2 - M-708032-82-6 pp239-458 (navy cloth) |
The Amber Ring January, 2018 |
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£175.00 |
GANDS |
orchestral |
| VOC153c |
SULLIVAN, Arthur |
THE YEOMEN OF THE GUARD |
THE YEOMEN OF THE GUARD. Chappell |
(c) Revised edition. Bound in red cloth. a.e.g. VG. (1911 copyright details) |
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(c)£10.00 |
GANDS |
VOCALSCORE |
| VOC153f |
SULLIVAN, Arthur |
THE YEOMEN OF THE GUARD |
THE YEOMEN OF THE GUARD. Chappell |
(f) red cloth bound, a.e.g. |
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(f)£10.00 |
GANDS |
VOCALSCORE |
| PS25 |
SULLIVAN, Arthur |
WHEN THE BUDS ARE BLOSSOMING. Madrigal for Four Voices from RUDDIGORE |
No.102 Chappell's Vocal Library of Part-Songs, &c. pp8 |
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£8.00 |
GANDS |
partsong |
| VOC1169 |
SULLIVAN, Arthur & GILBERT, W.S. |
THE MIKADO |
Chappell pp193 (bookplate 16 Dec. 1924) red cloth, Gilt lettering on front and spine, a.e.g. VG |
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£15.00 |
GANDS |
VOCAL SCORE |
| PART1325 |
Sullivan, Arthur A. |
EVENING |
A four-part song. Words translated from Goethe by Lord Houghton. Novello'd Part-Song Book (Second Series) No. 152 pp4 |
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£5.00 |
GANDS |
partsong |
| PART1326 |
SULLIVAN, Arthur S. |
EVENING |
A Four-Part Song. Words translated from Goethe by Lord Houghton
Novello's Part-Song Book (Second Series) No. 152) pp4 |
Facsimile |
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£2.00 |
GANDS |
partsong |
| SING1291 |
SULLIVAN, Arthur S. |
GOD SHALL WASH AWAY ALL TEARS (1873) |
IN G. Compass. D to G. Air from the Oratorio THE LIGHT OF THE WORLD (1873). Sung by Madme. Trebelli. Cramer pp5 |
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£6.00 |
GANDS |
SINGLESHEET |
| VOCA1282 |
SULLIVAN, Arthur S. |
THE PRODIGAL SON An Oratorio. The Music Composed by Arthur S. Sullivan. Boosey (1869) |
scarlet cloth, a.e.g. gilt lettering on front board, pp109 |
good copy |
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£35.00 |
GANDS |
VOCAL SCORE |
| VOC122n |
VERDI |
THE ROYAL EDITION |
THE ROYAL EDITION. Boosey and Co. Edited by Arthur Sullivan and J.Pittman jointly, or solely by Sullivan |
(n) (1) Verdi's RIGOLETTO pp235 (arranged by A.Sullivan and J. Pittman). Words by Francesco Maria Piave. English translation by John Oxenford a.e.g. (boards dull) (2) Ex-College Lib., rebound, maroon boards with gilt lettering on spine, small stain trace on outer front board, ow good |
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(n)(1)£15.00 (2)£6.00 |
GANDS |
VOCALSCORE |
| VOCA1229 |
VERDI, G. |
RIGOLETTO. A Tragic Opera in Three Acts |
lettering on cover : KENNETH SANDFORD. Novello's Original Octavo Edition pp202. Edited and Translated into English by Natalia Macfarren |
worn, pages loose |
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£20.00 |
GANDS |
VOCAL SCORE |
| VOC122p |
WAGNER, R |
LOHENGRIN Opera in Three Acts |
(p) LOHENGRIN with Italian, German, and English words - the latter by John Oxenford. Original Royal Edition i-xvi pp383 a.e.g. Boosey and Co. Edited by Arthur Sullivan and J.Pittman jointly, or solely by Sullivan |
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(p)£25.00 |
GANDS |
VOCALSCORE |
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